Showing posts with label emos. Show all posts
Showing posts with label emos. Show all posts

Wednesday, February 20, 2013

GENERATIONAL STORIES


Every generation needs a new story, a new narrative, a new sense of history. That's what  gives the new guys the confidence to go out into the world and challenge the old bulls. I've witnessed several new stories in my lifetime and all of them are nothing less than fascinating. I thought it might be fun to tell some of them here. I'll start with the story my Dad's generation, i.e. the 40s - 50s generation, made for themselves.



My Dad's generation developed the story that my Granddad's generation were nice people but they were also stupid and uneducated farmers who were intellectually unfit for the modern world. If you saw the movie "The Caine Mutiny" you got a taste of that. 50s man believed he was suave and sophisticated and adaptable in a way that no previous generation was.

My generation, I'm embarrassed to say, was the Hippie Generation. For them the previous lot was racist, sexist, jingoistic, constipated, and emotionally disturbed. We, on the other hand, We perceived ourselves as....Ahem!....svelte, gentle, artistic, intuitive, idealistic, and (unfortunately) too hip for manual labor.



My generation was replaced by the Punks who thought that we hippies lacked manliness and were pampered and worthless. Their story cast them as refreshingly authentic and righteously angry that they were stuck in lower class Hell. A typical Punk dinner might be hot dogs with a side order of Cheese Puffs washed down with diet soda or bourbon.



Coinciding with the punks were the Yuppies who re-invented the mainstream. They had disdain for the excesses of the Hippies and Punks though they secretly envied their purity. Yuppies had a story that cast them as futuristic warriors like Luke Skywalker. They would end poverty and bring about universal peace by being Fabian Socialists working within the system and yes, making a buck or two.



The Punks and Yuppies were replaced with a grunge movement that tried to unite the two warring camps but failed. They morphed into the Emos and Hipsters, which is sort of what's around now, but is slowly winding down. Emos combine Anime, Punk, and gay culture influences. Their story is that they're the most aesthetic generation ever, and the most imaginative. I doubt that, but who am I to question?


Last but not least, comes the very latest wave...the Computer Geeks. They might look like Grungers or Hipsters or Yuppies but what they have in common is their total dedication to the computer. They have disdain for Gen X'ers who were merely part-time computer users who got side-tracked into diversions like video games.

Geeks believe that Gen X'ers never understood the mystery, the power, the cult of the computer. The Geeks story is that they are first true human beings. They are the old- world destroying infant that appears at the end of the movie, "2001." They're mad because the rest of us are still are still drawing breath. They believe that new computer programs should be as hard to use as possible because that will cull out the inferiors from the true humans.


Me, I'm a product of most of the movements that occurred in my lifetime. Maybe most people are. I'm both an anti-communist Cold Warrior, and a mellow hippie. I have a taste for the Punk, in-your-face shock ethos, and I like a good suit and a fresh salad just like the Yuppies. I like my video games and I like my computer. I'm not aware that I have any Emo influences, so maybe that's the exception. I have additional bookish influences too, but that's a subject for another blog.

Fascinating, huh?

Sunday, September 30, 2007

HOW DID ROBERT CRUMB DO IT?

In my opinion Crumb was the best practicing artist in any medium of the 60s and 70s. No easel painter or photographer captured the times like he did. Maybe it's worth taking the time to figure out how he did it.


Crumb shocked everybody with his gritty, realistic inner city landscapes (above). Older people didn't seem to mind this ugly and depressing architecture but young people were steeped in bright mod fashions and appealing images in movies and magazines and they hated the old stuff. Nobody knew exactly how much they hated it until Crumb came along and satirized it.


City streets began to fill with black people wearing outrageous clothes. Nobody would give it a second glance now, but back then white suburbanites were constantly surprised by it. Crumb's the only one who bothered to draw it.


Back then adults didn't watch TV much and they were worried about the effects of TV on kids (above). They had good reason because the modern, clean, exciting world we saw on TV made the ugly, slow-mo real world seem intolerable. Once again, only Crumb bothered to draw that.


Other artists like Peter Max tried to come up with pretty, contemporary styles to represent the modern world. Crumb used a gritty, 1920s style (above). Max misread the generation. He thought theirs was just another fashion change. He failed to get a sense of how deeply the hippies were disgusted by the ugliness around them and how much they wanted warmth and personal connection. Crumb's style was the only one that reflected that.


There was a new kind of sexuality on the streets (above) but normal artists weren't picking up on it. Glossy magazines had pictures of slick models wearing weird, high-fashion mod clothes but that was the world of glamour...it didn't have much to do with what was on the street. Crumb was the first to suggest that the casual clothes real girls were wearing were sexy.

Crumb resisted getting into a rut. Sometimes he would do fine-artsy type pictures like the one above.

Young white suburbanites had mixed feelings about the newly liberated blacks (above). On the one hand they welcomed the "soul" and style of the blacks, on the other hand they feared the ignorance and coarseness that some blacks brought with them. Young whites of the period were firmly and idealistically committed to civil rights, but they must have found themselves wondering if they had opened Pandora's Box. Only Crumb managed to capture this anxiety.


Are there any parallels to today's situation? What should cartoonists be drawing now? That's a tough question but I'll take a stab at it. My belief is that, unlike the hippies, this generation doesn't want to have its nose rubbed in the ugliness of modern cities. Underground comics that stress sloppy, depressing environments are missing the mark and will fail. The society that's coming will reward artists who can create romantic alternatives to what we have now. That's why the Harry Potter and Lord of the Rings films are so popular. 'Just my opinion. I could be wrong.


The one thing I'm certain of is that you better fill your sketchbooks with drawings of baggy while it's still here. When it's gone it'll be gone forever. Emos are wearing stovepipe jeans and they're the new trendsetters.