PARTY AT THEORY MANSION!

Gee, I guess that's the end of the party. I gotta get Mike to a doctor. If you don't have a ride home just sack out on the sofa! See ya!

PARTY INVITATION!

But to ease the pain of two days without Theory Corner......


I invite everybody to a party at the world famous THEORY MANSION (above)!!!

MY DOODLE STYLE

I feel silly posting these doodles. I'm only doing it because Katz, Ryan and others wanted to see some drawings and all my current stuff is related to what I do at work. I turn out tons (OK, ounces) of this stuff every day. The style of the show doesn't look like this but this is the style I use when I'm exploring ideas and poses. It's sort of my stick figure style.

BOOK REVIEW: "ACTING FOR ANIMATORS" BY ED HOOK

HANDS HAVE A LIFE OF THEIR OWN

I love to draw hands. That's because hands have a life of their own.

Hands are pretty good at revealing what their owner really thinks. A face may listen to a boring speaker with what looks like rapt attention but way down below the hands are playing with keys or tapping on the table. Sometimes the hands are more than just magnifiers of their owner's true feelings. Sometimes they have feelings of their own. Hands may be macho, gay, happy, sad, lecherous or virginal, even if their owner possesses none of these qualities (these thoughts cry out for drawings to illustrate them. Sorry, I didn't plan this post very well). I'd love to do a short, pencil-test film of an extreme version of this idea where a guy's hands, acting completely on their own, grope the people around him and get him into trouble.

Here's a drawing where the excitable hand is frightened and clings to the face, which is only mildly disturbed. At least that's what I had in mind when I drew it. The understory about the excitable hand is sometimes for the artist only. Sometimes you want the understory to be so subtle that the audience isn't even aware of it.
Most stories don't lend themselves to this hand theory and those I board the normal way, as above. Even so, it still works for the occassional scene. I'll try to find some examples.